Wobble on the Bricks / November 16, 2012 / The Union

By: Kyle Rutherford, Staff Writer

On a cold night in Athens, The Union was heated up by bass music and the sweat of many satisfied attendees. The latest edition of Dave Rave’s Wobble on the Bricks hosted a variety of talent from all across the state.

The first DJ to grace the stage was Kingpin of Columbus. Having played the Athens DUB101 spot this past April, it was obvious he would bring a diverse set. True to his name, the capital city DJ performed with a bowling pin at the front of his setup.

Much of his set didn’t rely on bass music, but sort of up-tempo stuff. There were disco-sounding tracks, but also a bit of trap music. The variety was a good match for the beginning of the night. Shout out to James Castrillo for wearing a tie and cardigan while he played. Classy!

Columbus' Magua played a very heavy set. The beginning of his set started out pretty glitchy, but varied through dubstep and a bit of trap. Magua is a very exciting DJ to watch, in that he practically balls up energy behind the decks and throws it back at the crowd. He jumps and throws down to songs, works the mic and is just an overall fun person to dance to. Kudos.

Out of Cleveland, Thunder St. Clair brought yet another heavy set. Having killed it while opening for Crizzly back in April, it was pretty much impossible not to get him back ASAP. He definitely didn’t disappoint, mixing behind clean bass music, grimey dubstep and upbeat trap music. The talented and experienced DJ was downright fantastic in his mixing and song choice. Plus, the lucky dude gets to open for Zeds Dead next Wednesday.

Last out was Ohio University student DJ Paulo. According to Dave Rave, he is a student from China via Brazil. Much of the beginning of his set began with glitch and a little bit of moombahton. But as his set wore on, a few dubstep songs were added in. All of this was very minimal compared to the remaining drum n’ bass & drumstep that was played.

His music soaked up all remaining energy by show attendees, even with his somewhat different style of mix ins/outs. The only problem was a friend of his acting as a sort of MC. It was cool in that it kind of gave you the feel of an underground Los Angeles or London DNB club, but the man occasionally went a bit over the top.

Dub 101 Tour / April 6 / The Union

By: Kyle Rutherford, Staff Writer
Photos By: Kyle Rutherford

The Union exploded Thursday night when the Dub 101 crew rolled in, bringing along quite possibly the biggest electronic music act ever to Athens

First to spin was DJ Pro Bono, a 5th year recreation management senior from OU. Pro Bono's set was chill, with a high emphasis on hip-hop and rap mixed into drum and bass, drumstep, and classic dubstep. It took him most of his set to bring in some bangers, but he was able to make everything he played danceable. Pro Bono says that he is just starting to produce his own music.

Second up was Easty, an Athens local and Casa employee, who played a heavy dubstep set. His set had an emphasis on classic British style, but it also brought in super heavy bass songs. There was less rap and hip-hop influence, but glitchy stuff progressed into heavier stuff that was better to dance to. Easty said he will be releasing some original material soon.

The first touring act was Thunder St. Clair, who countered Easty's heavy dubstep set with another heavy dubstep set. He was able to mix any kind of dubstep together, transitioning well and throwing in a tons of dance tracks, all with a heavy bass twist. Thunder St. Clair got his start about four years ago, stemming from his college graduation party. He put on the first ever dubstep party in Cleveland, and still continues to put on these parties. He is heavy influenced by producers like Machine Drum and Starkey, and has opened for huge producers, like !2th Planet and Datsik.

Fourth out was Carma, out of the company My Best Friends Party. A DJ of about 7 years, Carma played more of a dance dubstep set, using tracks like "Fire Hive" by Knife Party, transitioned into remixes of popular Top 40 songs, like "Niggas in Paris" by Jay-Z & Kanye West. Since his initially playing dance music, Carma has risen to playing a mess of club shows in Columbus through MBFP.

A little background before I go into Crizzly's set. Born in Texas as Chris Marshall, Crizzly has only been DJing for about 4 years, which isn't band, considering he is only 19 now. Chris started his career playing high school parties and school dances, progressing into producing about two years ago. Marshall's sound can be described as crunkstep, a near epileptic mixture of mid-2000's style rap and hip-hop, mixed with drum-and-bass, heavy dubstep and drumstep. Though he doesn't have any original music slated for release, Crizzly's remixes are being spun by popular DJ's/producers worldwide.

Only one word can truly describe his set: insane. From start to finish, the music was heavy and the crowd was going crazy. Pro Bono's alter-ego as MC Drunken Assassin conducted the crowd through the insanity, rarely straying from spitting commands into the mic, as well as hyping everyone up. Some of Crizzly's most memorable drops were his remixes of "Hard in Da Paint" by Waka Flocka Flame, the internet famous "Big Booty Bitches" and "Go Hard" by Dream. The most memorable mix for me was his remix of "Dat Ass" by Logun and "Bass Cannon" by Flux Pavilion. The track about literally blew my mind, and I know for a fact that the faces of everyone in attendance were melted off.