Showing posts with label Katie Pinter. Show all posts
Showing posts with label Katie Pinter. Show all posts

Saturday, September 29, 2012

Southeast Engine / September 28, 2012 / Stuart's Opera House

By: Katie Pinter, Staff Writer
Photo By: Katie Pinter

After trekking into the unknown territory that is downtown Nelsonville, I was pleasantly surprised to find an entire block party centered around a last minute Southeast Engine show. 

Friday's show was part of the free summer concert series held by Stuart's Opera House. Obviously, it's now sweater weather instead of summer, but this change of season seemed to fit better with the tone of the band. The event was also part of the town's Final Fridays on the Square, an art event that closes off the center of town so that people can walk around to the different galleries and art shops. Overall, the sense of community was really strong since a lot of people came out that night, with the largest group centered around the stage.

The show was set up outside in a small, empty parking lot across from Stuart's, which is not exactly ideal for a chilly fall evening. People just camped out on blankets or folding chairs or the cold asphalt, like myself. It's interesting to note the number of families that were present. Although there were a lot of aging hipsters and college age kids present, many young families with hyper toddlers were there as well. Good to known they're keeping them cultured while they're young.

I arrived about four songs into the band's first set, and it was very apparent that the crowd was feeling it. All of the children were dancing and playing close to the stage as Southeast Engine charmed on with their folk rock. Seeing the kids bop around created a nice vibe - you could just feel everyone letting themselves take the time to enjoy the show. 

The band's line-up did not include bass player Jesse Remnant, but had a cool-looking guy wearing a blazer sub for him. The only downside to this was that the harmonies were not as prominent throughout the tracks as they usually are. Instead, lead singer Adam Remnant carried the vocals, starting off with songs from their album Canary.

After the next song, drummer Leo DeLuca started giving some background information about their group. He mentioned that he and Adam started the band as teens back in Dayton, OH and they listened to a lot of another band from the area. That band was Guided By Voices and Leo added that the next few tracks would be from GBV, off their album Bee Thousand. 

Leo and the band quickly played through two of the GBV tracks and then took a break before their second set. In this time, everyone wandered around to the shops and galleries and I managed to snag some hot chocolate and a grilled Nutella and banana sandwich. Needless to say, I was having a great night and eagerly headed back to the lot as the band dove into its second act. 

Continuing on with more GBV tracks, Southeast Engine really connected with the crowd because everyone around me seemed to be either singing or just grooving along to the music. The guys' cover of "I Am A Scientist" was just perfect - so sweet and simple.

The night finally came to an end with one last cover, "Down By The River" by Neil Young. Halfway through the song, the band turned the song into a jam session, with each member showing off their chops while Adam laid out his killer guitar skills with an impressive blusey rock solo. 

As the band wrapped up its set, I thought back to something Adam had said earlier that night: "We'd been looking around for the ideal place to play around Athens, and I think this is it." Looking around the crowd, I don't think anyone would have disagreed.

Friday, October 14, 2011

Tubax, Marbles for Eyes & Tribraco / October 7, 2011 / Donkey Coffee

By: Katie Pinter, Contributor

Last Friday night, Donkey Coffee had the sounds of Tubax, Marbles For Eyes and Tribraco fill its cozy corners.

Though there was a small crowd, Tubax kept the mood high with their combination of reeling electronic rills, steady beats and funky guitar tunes. Basically, Tubax sounds like what a literal arcade fire should be.

The band from Bologna, Italy announced in the middle of their set that they were on their first tour in the United States and were very excited, which was clearly shown through their enthusiastic performance of original songs like "Bigfoot." Altogether, Tubax was a breath of fresh air for the normally chill stage of Donkey and really set the tone for what was coming next.

Following the animated group was Marbles For Eyes, who delivered an indie rock set bursting with soft harmonies, nostalgic lyrics, and country-rock-infused guitar riffs. From the Cambridge, Ohio group was a great variety in songs that ranged from simple singer-songwriter croons to thumping, bluegrass-inspired numbers.

Marbles got the audience involved from the beginning when a member of the crowd got onstage to fix a guitarist's strap and later when spectators were encouraged to clap along to a number. In addition to their sophomore album's being released, lead singer Matthew Smith informed the group that Marbles will soon sell DVDs and, eventually, hoodies to help keep fans warm. With the audience's warmth in mind, another Marbles member suggested they start selling fireplaces too, an idea encouraged by the crowd.

Last but not least, Tribraco finished the show on a high note. Featuring music from their newest album, Glue, the group from Rome, Italy delivered high-energy rock songs (also referred to as "hot" numbers by the lead guitarist), along with a psychedelic, mellow vibe. The band described the inspiration for a variety of their songs: some came from "South American music and impressions," while others were based upon a dry and windy village in Italy or burlesque.

Tribraco became not only a musical experience, but also an educational one when they taught the crowd how to say an Italian phrase that is said to musicians when the audience wants more music. This term was used so much that the band played an additional three songs at the end of their set.

The show was something that could have only happened at Donkey, and I now will be expecting future shows to deliver the same level of enthusiasm, along with the occasional joke and foreign language lesson.